SVO – Sheremetevo Airport, Moscow
Passport and Visa
The trip to Moscow that happened at the end of March (Diary #3) was originally meant to happen at the end of January, The last time I was in Moscow in January (many years ago) the outside temperature was -25 most of the time; whenever you stepped outside you could take a deep breath in through your nose and pinch your nostrils so you could hear your frozen nose-hair crackle. So this time, to protect my face a bit, I decided to grow a beard. I stopped shaving around the fourth of January (and of course didn’t record the exact date in my lovely, new, red leuchturm diary). My face got stubbly and then, one day when I looked in the mirror, I had a beard.
And then the trip got postponed. Continue reading
Select the most interesting parts of the diary (which could also be the most banal or mundane) and interpret them into a photographic project. You could present your chosen diary entries as a visual diary or use it as a springboard for further exploration. You may choose to insert the pictures like snapshots into your diary and hand it all in together. You don’t have restrict yourself to the diary itself; you may decide to use it to take you into new territory.
– C&N CourseBook (p.89)
While I have posted here four sequences of diaristic photographs (and have another sequence that I picked up from Snappy Snaps on Byres Road as I passed through Glasgow on my way north to Orkney for my summer holiday – they will be added to this series of posts as a sort of coda I think) the set of images posted as “Assignment 3 – Life During Wartime” has grown out of various themes that have become apparent to me as I have worked through the diary pieces.
Keep a diary for a set period of time (at least two weeks). Each day write two or three pages about yourself – what you’ve been doing/thinking. This can be as specific or poetic as you wish. You may wish to pick a theme for the duration. This is an open brief designed to give you freedom to create something personal which suits you best. Use the artists you’ve looked at in Part Three or your own research for inspiration. Select the most interesting parts of the diary (which could also be the most banal or mundane) and interpret them into a photographic project. – C&N Coursebook (p.89)
Interspersed through this post there will be links to sections of photo diary, taken in emulation of Stephen Shore’s body of work, made in the early 70’s and collected most recently as American Surfaces. They document the less typical parts of the first 4 months of 2016, at points when I have been preparing to travel or travelling, either for work, or to see my son who lives in Glasgow. Using American Surfaces as a template proved more difficult than you would think…
There are pictures contained within this that are conscious emulations of work by Walker Evans, Saul Leiter, Lee Friedlander and others, including of course, Shore himself…