Produce 4 examples of horizontal and 4 of vertical lines. Avoid repeating the way in which a line appears. The most successful will be those in which the line is the first thing a viewer would notice.
– AoP Coursebook
A reshoot, as the first time I didn’t have my tripod with me and really, I should have. I also tried shooting over the Marshes and the Lea towards Clapton, but it the results were less good than these, taken just over the red bridge at the start of the Hackney Marshes football fields looking down towards the orbit and the olympic park.
- The emphasis is on the foreground, and the gorizon seems a long way away, with a great deal of space to cover before you would get there. Something – anything – happening in the foreground would have justified the emphasis on the space more though, here it’s just an – admittedly nicely curvey-bordered – expanse of grey.
- Better, but still too much empty tarmac. I had tried to get some painted writing, giving directions to some cycling or running event, that was closer and to the right into the shot, but my tripod was in the way of the joggers and cyclists and the overall view of the grass as it stretched away to the horizon was less pleasing.
- Quite nice. The 50:50 balance between sky and earth is offset by the runner who links across the horizon into both.
- The sky and the distance starts being what the picture is about. You become aware of the cricketers and the runner is no longer crucial to giving some focus to the picture.
- The sky now dominates while the goals to the left and the cricketers both give a sense of scale to the picture while anchoring it to the earth somehow.
- But here, the sky is about to break free of the earth and the picture is almost flat again. Possibly just works because of the variety of buildings on the horizon. It might still work if the top was cropped slightly so the edge of the frame was at the top of the cloud on the left.
All pictures taken with a Nikkor AF-D 35mm 1:2 lens on a Nikon D50. ISO 200; f8; 1/640th – 1/1250, depending on how much sky was in the picture.